Michael & The Rockness Monsters

Michael & The Rockness Monsters

On Oct. 11, Michael & the Rockness Monsters will unleash their latest collection of great music for the entire family. Produced by Grammy Award-winner Dean Jones, Seeing Life in 2020 is a collection of covers that spans 10 decades of music in jazz, folk, country, blues, funk, pop, rock, TV, and film. It’s part of an idea to bridge the gap between “music for kids” and “music for adults” — a mission shared by both the band and its educational sister company, Rockness Music.

“I remember being entranced by new genres,” says frontman Michael Napolitano. “I knew that by using my memories, my experience, and my education, I could offer children a fun, cohesive musical library to draw on themselves … something to spark conversations and make new memories.”

In fact, Michael — who spent a decade as a member of the Blue Man Group’s creative team — calls himself “the first Rockness Monster.” His father was a professional drummer, and growing up, Napolitano found himself spinning vinyl records from his parents’ vast collection of genre-spanning music.

In crafting the new album, the band chose one song from each decade represented. For the 1980s, the song selected was one staight out of Napolitano’s own youth: Van Halen’s “Jump.” Originally released as a single on December 21, 1983, “Jump” became a signature song and video of the MTV era, fueling the success of Van Halen’s sixth studio album, 1984. Today, the Toy Insider is giving you a first listen to Michael & The Rockness Monsters’ mellow, more subdued take on the raucous hit.

https://soundcloud.com/therocknessmonsters/14-jump-1644-mp3/s-h7Vzu?in=therocknessmonsters/sets/2020-shorter/s-Xrt61

The only original song on the album is the title track, “Seeing Life in 2020.” It’s an appropriate way to introduce a time-traveling sonic assortment that Michael says was inspired by his parents’ “impressive knowledge from the ’20s to the ’60s.”

While younger listeners may recognize the Rockness Monsters’ new spin on more recent fare such as Randy Newman’s Toy Story anthem, “You’ve Got A Friend In Me,” Junior Senior’s “Move Your Feet,” or “A Life That’s Good” from the finale of TV’s Nashville, it’s the deeper cuts that provide new windows into a larger world of musical exploration.

From The Beatles’ “All Together Now,” to The Pointer Sisters’ “Yes We Can Can,” classics are reinvigorated alongside novelty hits from the ’40s and ’50s.

“‘Choo’n Gum’ and ‘Mairzy Doats’ are not children’s songs at all,” says Napolitano. “In fact, they were written for adults in the ’40s and ’50s, at a time when the country was touched by war.”

As for the appeal, the band feels the lyrics on both are “catchy, just plain ridiculous, and perfect.”


Learn more at michaelandtherocknessmonsters.com

About the author

James Zahn

James Zahn

James Zahn, AKA The Rock Father, is Editor-in-Chief of The Toy Book, a Senior Editor at The Toy Insider and The Pop Insider, and Editor of The Toy Report, The Toy Book‘s weekly industry newsletter. As a pop culture and toy industry expert, Zahn has appeared as a panelist and guest at events including Comic-Con International: San Diego (SDCC) Wizard World Chicago, and the ASTRA Marketplace & Academy. Zahn has more than 30 years of experience in the entertainment, retail, and publishing industries, and is frequently called upon to offer expert commentary for publications such as Forbes, Marketwatch, the Wall Street Journal, the New York Times, USA Today, Reuters, the Washington Post, and more. James has appeared on History Channel’s Modern Marvels, was interviewed by Larry King and Anderson Cooper, and has been seen on Yahoo! Finance, CNN, CNBC, FOX Business, NBC, ABC, CBS, WGN, The CW, and more. Zahn joined the Adventure Media & Events family in 2016, initially serving as a member of the Parent Advisory Board after penning articles for the Netflix Stream Team, Fandango Family, PBS KIDS, Sprout Parents (now Universal Kids), PopSugar, and Chicago Parent. He eventually joined the company full time as a Senior Editor and moved up the ranks to Deputy Editor and Editor-in-Chief.

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